![]() Signe Hasso, Edmond O'Brien, Shelley WintersĬeleste Holm, Vincent Price, Barbara Britton, Art Linkletterĭavid Niven, Cantinflas, Shirley MacLaine, Robert Newton Marlene Dietrich, James Craig, Edward Arnold, Joy Ann Page Nominated - New York Film Critics Circle Award for Best Actor Aubrey Smith, Raymond Massey, Mary AstorĬary Grant, Jean Arthur, Edgar Buchanan, Glenda Farrell Madeleine Carroll, Douglas Fairbanks, Jr., C. Seven minutes of film missing, though the soundtrack is intact. Jane Wyatt, Edward Everett Horton, Thomas Mitchell, Margo, Isabel Jewell, H. The Man Who Broke the Bank at Monte CarloĮlizabeth Allan, Edna May Oliver, Reginald Owen, Basil Rathbone, Blanche YurkaĬlaudette Colbert, Victor McLaglen, Rosalind Russell Loretta Young, Warner Oland, Charles Butterworth, Una Merkel, C. Kay Francis, Phyllis Barry, Henry Stephenson Kay Francis, Frederick Kerr, Bramwell Fletcher, Frances Dade Neil Hamilton, Ralph Forbes, Noah Beery, Alice Joyce, Mary Brian, William PowellĬlaud Allister, Joan Bennett, Montagu LoveĪnn Harding, Louis Wolheim, Dudley Digges Lillian Gish, Dorothy Gish, William Powellīelle Bennett, Alice Joyce, Douglas Fairbanks, Jr., Lois Moran, Jean Hersholt George Eastman House, Rochester, New York) ![]() In addition to his film appearances, Colman's television credits are also listed.įilmography British silents Year The filmography below lists all of Colman's films and is sub-divided into four sections: His British silent films, his American silents, his sound films, and a listing of short films in which he appeared as himself. In 1948 Colman won the Academy Award for Best Actor for his performance in A Double Life. After leaving Goldwyn in 1933, Colman continued his career as a free-lance performer and starred in a succession of critically acclaimed films ( A Tale of Two Cities, Under Two Flags, Lost Horizon, The Prisoner of Zenda, If I Were King, and The Light That Failed). In five of his silents he formed a romantic team with Hungarian actress Vilma Bánky.Ĭolman made a successful transition to sound with his first talking feature, Bulldog Drummond (1929), followed by Raffles (1930) and The Unholy Garden (1931). As a contract player for Samuel Goldwyn, Colman was cast (frequently on loan-out) as leading man to many of the top actress as the silent era. The film's popularity and critical acclaim led to Colman becoming a major star and also a romantic idol of the silent cinema. There he continued his acting with only moderate success until he was offered the lead opposite Lillian Gish in The White Sister (1923). After achieving minor success on the stage and in British films, he immigrated to the United States in 1920. He made his film debut in an unreleased two-reeler titled The Live Wire (1917). Ronald Colman began his career as an actor on the stage following his service in the British Army during World War I. Ronald Colman in a publicity still for The Prisoner of Zenda (1937).
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